2021 — Present
Chef de Cuisine & Founder
Maya — The Candlelit Table
Founded a twelve-seat after-dark tasting room in Jhamsikhel. Designs a single nightly degustation drawn from the Valley and trains a small, quiet brigade.
An after-dark tasting room in Kathmandu — heritage Newari fire and Himalayan ferment, plated by candlelight as a single, cinematic degustation.
I cook after dark. The room is low and gold-lit, the pass is quiet, and across one long evening I send out a single, unrepeatable menu built from the Valley I grew up in.
My grandmother's Newari kitchen in Patan gave me smoke and patience; the Thakali bhattis of Mustang gave me restraint. Fifteen years across hotel brigades in Kathmandu, Pokhara and abroad gave me the technique to set those memories on a plate without losing their soul.
Tonight that means buff sukuti cured for a week and shaved like silk, gundruk fermented in my own crocks, jimbu bloomed in brown butter, and a yomari re-imagined as the last sweet note before the candles go out. Twelve seats. One seating. Food you remember in the dark.
Diploma in Culinary Arts, NATHM, Kathmandu · Certified Food Safety & HACCP Manager, Nepal Tourism Board · Advanced Fermentation Residency, Noma Projects (guest stage)
The disciplines behind every course — from heritage ferment to embers and cinematic plating.
A rotating book of signatures — heritage flavour set down with modern, cinematic technique.
Week-aged air-dried buff sukuti shaved to silk, timur oil, fermented chilli and crisp chiura, finished tableside over a low flame on a cold river stone.
Flame-licked water-buffalo choila — mustard oil, ginger and the haze of dried red chilli — pulled straight from the embers and laid over beaten rice.
Godawari trout, cured and cold-smoked over jimbu and timur, with a chive-ash emulsion and pickled mooli under a thread of brown butter.
Jomsom buckwheat dhido, slow-braised mountain goat, gundruk ko jhol and three house pickles — the classic set re-plated as one quiet, composed course.
Slow-churned kulfi laced with Himalayan sea-buckthorn, candied walnut praline and a wire of Lamjung wildflower honey, gold-leafed for the last light.
The hotels, lodges and tables that shaped the way I cook after dark.
2021 — Present
Maya — The Candlelit Table
Founded a twelve-seat after-dark tasting room in Jhamsikhel. Designs a single nightly degustation drawn from the Valley and trains a small, quiet brigade.
2017 — 2021
Dwarika's Hotel, Kathmandu
Led the heritage Newari kitchen and a 40-cover fine-dining brigade, earning national recognition for a contemporary Valley tasting menu.
2014 — 2017
Temple Tree Resort, Pokhara
Ran lakeside service and built a lake-to-table programme sourcing trout, buckwheat and seasonal greens from the Annapurna foothills.
2011 — 2014
Taj Lands End, Mumbai
Trained across grill, garde-manger and pastry in a high-volume luxury kitchen; learned the discipline of consistency at scale.
Tasting room, private table, or consulting — each priced like a course on tonight's menu.
A twelve-course degustation across one evening at the chef's table — wine and local-spirit pairings, a hand-written menu, and the room to yourself.
The full noir menu cooked in your home for up to eight guests, candlelight and all, with pairings and tableside finishing.
Concept, menu engineering, kitchen workflow and brigade training to help a restaurant tell an honest, modern Nepali story after dark.
A hands-on three-hour class on Newari fermentation, embers or cinematic plating, for up to ten cooks and enthusiasts.
We ate by candlelight and forgot the clock entirely. The yomari arrived in near-darkness and my mother wept — Bishal plates memory, not just food.
Anjali Shrestha
Host, Jhamsikhel supper club
Reservations
Tell me your date, your guests and the season — and I’ll set a menu around it. Twelve seats, one seating.
Reserve a seatJhamsikhel, Lalitpur, Kathmandu