LUMINA

LUMINA

Where Light Becomes Legacy

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LUMINA

Preparing the Collection…

We do not make jewelry. We keep light.
Chapter II · The House

We do not make jewelry. We keep light.

LUMINA began with a single question at a Kathmandu workbench: what if a stone could remember the moment it was given? Every piece the house releases is cut in editions of one hundred or fewer, set by hand in rose gold drawn at our own mill, and photographed in the same northern light its owner will one day see it in. The film you just scrolled through is not an advertisement — it is the actual geometry of the Soniya pendant, traced frame by frame as it turns.

Chapter III · The Light Room

Turn it in the light yourself

Choose a piece, orbit it under the lamps, and dress it in the metal of your story — rose, yellow, or white gold. What you set here is what the bench sets.

Rose Gold

The piece the film is about: a rose-gold diamond pendant hung from an invisible-link chain, cut so its fire wakes in candlelight and sleeps in noon sun.

Rs. 295,000
The Collection

Pieces that keep the light

Each vitrine below holds one piece. Study any of them in the Light Room above — the metal you choose there is the metal we set.

Diamond held in setting tweezers
Rose gold rings on dark velvet
Jeweller at the bench
Pendant catching a beam of light
The Making

How light becomes legacy

Every commission follows the same unhurried path from first conversation to finished piece.

  1. 01

    The Hour

    Tell us when the piece will live — a morning proposal, a candlelit anniversary. We choose and cut the stone for that exact light.

  2. 02

    The Stone

    Three candidates, viewed under lamps tuned to your hour. Certified, traceable, and chosen in person — never from a tray.

  3. 03

    The Setting

    Five weeks at one bench. Rose gold drawn at our mill, claws raised by hand, and photographs sent at every stage.

  4. 04

    The Unveiling

    The piece leaves us in a lacquered box with its edition number engraved inside the lid — and its film, yours to keep.

Letters to the House

Light, kept and worn

I watched the pendant turn on my phone a hundred times before I bought it. When it arrived, it moved exactly like the film — she noticed the light before she noticed the box.
Priyanka & AaravKathmandu · The Soniya Pendant
They asked me what hour of the day I would wear it. I thought it was poetry. Then I saw the stone under their evening lamps and understood it was engineering.
Elena M.Vienna · Soniya Solitaire
No clasp, no seam, no ending — my mother wore it for a year before anyone realised it never came off. That is the point.
D. ShresthaPokhara · The Ember Bangle
Questions

Before you write to us

Yes — the sequence is rendered from the actual geometry of the Soniya pendant, the same file our benches cut from. What you scroll through is what you receive.

A Private Viewing

See the light in person

LUMINA is a house of rose-gold fine jewelry made in small, numbered editions. Visit the atelier and we will pour the tea, dim the lamps, and let the pieces speak at the hour they were cut for.

Reserve a private viewing
Telephone
+977 1 442 8899
Write
viewings@lumina-house.com
WhatsApp
+977 9812345678
Visit
House LUMINA, Jhamsikhel, Lalitpur, Kathmandu Valley